House in Lubliniec 2 / Dyrda Fikus Architekci

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first_imgSave this picture!© Bartłomiej Osiński+ 27 Share ArchDaily Year:  Houses House in Lubliniec 2 / Dyrda Fikus Architekci House in Lubliniec 2 / Dyrda Fikus ArchitekciSave this projectSaveHouse in Lubliniec 2 / Dyrda Fikus Architekci “COPY” Photographs 2013 2013 “COPY” CopyHouses•Lubliniec, Poland ShareFacebookTwitterPinterestWhatsappMailOrhttps://www.archdaily.com/627370/house-in-lubliniec-2-dyrda-fikus-architekci Clipboard Area:  169 m² Area:  169 m² Year Completion year of this architecture project Poland Architects: Dyrda Fikus Architekci Area Area of this architecture project Year:  photographs:  Bartłomiej OsińskiPhotographs:  Bartłomiej OsińskiText description provided by the architects. The building is situated on a small 510m sq. plot, among a densely built-up residential area of  detached houses.Save this picture!© Bartłomiej OsińskiRecommended ProductsEnclosures / Double Skin FacadesIsland Exterior FabricatorsCurtain Wall Facade SystemsEnclosures / Double Skin FacadesFranken-SchotterFacade System –  LINEAEnclosures / Double Skin FacadesRodecaRound Facade at Omnisport Arena ApeldoornEnclosures / Double Skin FacadesAlucoilStructural Honeycomb Panels – LarcoreThe residential street where the proposed house is located is of eclectic character. The formal and stylistic chaos of individual buildings is in opposition to the spatial order of the street. This divergence influenced the design concept, which favored the spatial context over the formal one, ie. it was more important to match to the order of the street (compact shape, emphasized building line, proportions of the edifice) than the form of the building itself. Regardless of it, the new house will always be just the next component of the existing stylistic chaos.Save this picture!© Bartłomiej OsińskiThe limited site area, as well as the south side access, were the two main factors which determined the final house position within the plot. Placing the building maximally close to 3 of the site boundaries allowed to enlarge the garden as much as possible and therefore maximize the limited development potential of the site.Save this picture!© Bartłomiej OsińskiThe compact and sustainable form of the proposed building encloses from the street and opens onto the west facing garden. The hipped form of the roof was dictated by the almost square dwelling house footprint. A simple pyramid roof underwent sculptural transformation. Firstly, the top of the roof was ’dragged’ towards the garden to achieve a visual set back from the adjacent property, then the roof was inclined towards the street to emphasize the existing building line, and finally the rooftop was ‘cut off’ to form a large (2.5m x 1.8m) skylight, enabling the daylight to penetrate deep down inside the house.Save this picture!SectionThe form of the house varies from the buildings in close vicinity. The lack of decorative features or pastel colored elevations draw attention to the radical form and dark asphalt color. The building is a manifesto of both proportion over decorative features and urban planning over a building form.Save this picture!© Bartłomiej OsińskiThe homogenous appearance of the building has been achieved thanks to externally applied sprayed polyurethane layer. The technology, typically used in industrial construction, has been used in such a way in Poland for the first time. The proposed house consists of two ‘faces’: dark and inaccessible from the outside and bright and spacious from the inside. Contrast intended. Save this picture!© Bartłomiej OsińskiProject gallerySee allShow lessBIG and Heatherwick’s Futuristic Google HQ Proposal Loses to LinkedInArchitecture NewsHenry N. Cobb Awarded Architectural League President’s MedalArchitecture News Share Projects ShareFacebookTwitterPinterestWhatsappMailOrhttps://www.archdaily.com/627370/house-in-lubliniec-2-dyrda-fikus-architekci Clipboard CopyAbout this officeDyrda Fikus ArchitekciOfficeFollowProductsWoodGlassConcrete#TagsProjectsBuilt ProjectsSelected ProjectsResidential ArchitectureHousesLubliniecHousesPolandPublished on May 07, 2015Cite: “House in Lubliniec 2 / Dyrda Fikus Architekci” 07 May 2015. ArchDaily. Accessed 11 Jun 2021. ISSN 0719-8884Read commentsBrowse the CatalogVentilated / Double Skin FacadeTechnowoodClick Façade SystemWindowsMitrexSolar WindowMetal PanelsAurubisOxidized Copper: Nordic BrownAcousticKvadrat AcousticsAcoustic Panel System in AMOREPACIFIC HeadquartersStonesCosentinoSilestone® Surfaces – Loft SeriesWoodLunawoodThermo Timber and Industrial ThermowoodLightsLouis PoulsenOutdoor Lighting – Flindt PlazaTiles / Mosaic / GresiteLove TilesPorcelain Tiles – NestAluminium CompositesMetawellAluminum Panels for Interior DesignMetallicsRHEINZINKZinc Roof Systems – Double Lock Standing SeamStoolsWilkhahnOffice Stool – Aline-SBulbs / Spots / Wall LightsUniosHorticultural Luminaire – Kobe FloMore products »Read commentsSave世界上最受欢迎的建筑网站现已推出你的母语版本!想浏览ArchDaily中国吗?是否翻译成中文现有为你所在地区特制的网站?想浏览ArchDaily中国吗?Take me there »✖You’ve started following your first account!Did you know?You’ll now receive updates based on what you follow! 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Tag: 爱上海419

first_imgEasyJet pilots in nude fundraising calendar for NSE Advertisement Pilots at low-cost airline EasyJet have appeared in a “cheeky” 2005 calendar wearing little more than Santa hats (on their heads) to raise funds for the company’s charity of their year, the National Society for Epilepsy (NSE).The calendar is on sale online for £9.99 at the NSE’s Web site. AddThis Sharing ButtonsShare to TwitterTwitterShare to FacebookFacebookShare to LinkedInLinkedInShare to EmailEmailShare to WhatsAppWhatsAppShare to MessengerMessengerShare to MoreAddThis  39 total views,  1 views today AddThis Sharing ButtonsShare to TwitterTwitterShare to FacebookFacebookShare to LinkedInLinkedInShare to EmailEmailShare to WhatsAppWhatsAppShare to MessengerMessengerShare to MoreAddThiscenter_img About Howard Lake Howard Lake is a digital fundraising entrepreneur. Publisher of UK Fundraising, the world’s first web resource for professional fundraisers, since 1994. Trainer and consultant in digital fundraising. Founder of Fundraising Camp and co-founder of GoodJobs.org.uk. Researching massive growth in giving. Howard Lake | 1 January 2005 | News Tagged with: Giving/Philanthropy Tradinglast_img read more


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first_imgMartin County is mourning the loss of a four-year-old boy who loved policeman and police cars.Kieran Nee fatally drowned last week the local Bathtub beach.The boy’s stepfather told police he was watching him from the shoreline when he turned away for about sixty seconds, according to The Martin County Sheriff’s Office.In that brief moment, Kieran went into the water.Shortly after, his stepfather noticed Kieran face down in the water.A witness also said she saw the boy face down in about a foot of water.The stepfather, a woman on the beach and lifeguards, performed CPR before Martin County Fire Rescue crews took over and rushed Kieran to Martin Memorial Hospital North where he died.Kieran’s family lives in Jensen Beach.A GoFundMe page to help the family with funeral expenses has been set up.Kieran’s mother, according to the GoFundMe page, is a nurse.The boy “lit up any room with his beautiful eyes, bright smile and bubbly personality,” according to the GoFundMe page.last_img read more


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first_imgImage Courtesy: LatestlyAdvertisement cbuj6NBA Finals | Brooklyn Vs9z0Wingsuit rodeo📽Sindre Etn8n( IG: @_aubreyfisher @imraino ) lktt3Would you ever consider trying this?😱az5xCan your students do this? 🌚w56Roller skating! Powered by Firework The Australian test summer kicked off with the first against Pakistan at The Gabba in Brisbane. Things swayed a bit in the favour of the hosts after a close call went their way leading to the dismissal of Mohammad Rizwan during a crucial juncture in the game. Advertisement Image Courtesy: LatestlyThe visitors got off to a bright start with the blooming opening partnership between skipper Azhar Ali and Shan Masood. However, a collapse from 75-0 to 94-5 spelled trouble for the World Test Championship debutants.Mohammad Rizwan opted for a counter-attacking approach as he swatted the deliveries for the boundaries en route his cameo of 37. With the score reading 143-5, it was important for Pakistan that Rizwan stays on but after poking at a ball outside the off-stump only to be caught behind by Tim Paine.Advertisement The umpires decided to have a second look at the possibility of the delivery being a no-ball. Replays showed that the scenario was very close but it was evident that Cummins had no part of his foot behind the line. Instead of awarding a no-ball, the umpires stuck to their on-field decision much to the shock of the commentators. Check out the video of the incident right below:Read Also:Wasim Akram on how to bowl to Steven Smith: Follow your plans, not him!Sourav Ganguly reveals first 4 days of D/N Test has been sold out Advertisementlast_img read more


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first_img2 December 2014Portia Modise is the first African player to reach the elusive 100-goal mark in international football; the Banyana Banyana striker was named the 2014 South Africa Sports Star of the Year at the South African Sports Awards.The nation’s sporting royalty came out to celebrate excellence in the various sporting codes at the awards, handed out at the Sandton Convention Centre, in Johannesburg, on Sunday.“To all our athletes, I want to say to you that this is your occasion. Never again will our athletes go around not [being] recognised for all they put in for this country,” said Sport Minister Fikile Mbalula. The awards were hosted by the Department of Sport and Recreation.“Today we will honour our pride and our heritage of the South African sporting [fraternity] for what they have achieved throughout the year and we will equally remember those who passed on,” Mbalula said at the event, held on Sunday evening.They would not be forgotten for having made the country proud. He was referring to the deaths in October of world champion middle distance runner Mbulaeni Mulaudzi, Bafana Bafana captain and goalkeeper Senzo Meyiwa, and boxer Phindile Mwelase.Mbalula also spoke about women in sport, saying to applause: “May this night usher in a new era in sport for women. Women in sport have never been recognised. All women [participate] in amateur sport; there’s no premier league of women, except for the Netball Premier League.”Rewarding excellenceThere were over 12 categories of awards on Sunday night ranging from Sportswoman and man of the Year to Coach of the Year and Sportswoman and man of the Year with a Disability, as well as Federation of the Year.Coach of the Year went to Bafana Bafana coach Shakes Mashaba, who was appointed to the top post in July. His award came as South Africa thrashed Ivory Coast 2-0 at Mbombela Stadium in Nelspruit, Mpumalanga, on Sunday afternoon.“To South Africans, we didn’t only see your support, we felt it,” Mashaba said, also thanking his family.Sportsman of the Year was swimmer Chad le Clos, who was not at the event to collect his award, while Sportswoman of the Year was cyclist Ashleigh Moolman Pasio. Sportswoman of the Year with a Disability was Paralympic hand-cyclist Justine Asher, while Sportsman of the Year with a Disability was wheelchair racer and hand-cyclist Ernst Francois Van Dyk.Cricketer AB De Villiers received an excellence award. Former Springbok Joost van der Westhuizen, who suffers from motor neuron disease, was also honoured.Western Cape’s minister of cultural affairs and sport, Nomafrench Mbombo, said: “The crucial role that sport plays in our communities is undeniable. It is through the different sport codes that thousands of young people are kept occupied, healthy and away from harmful behaviours.”Youth Olympics gold medallist Gezelle Magermann was named Newcomer of the Year. She won South Africa’s first medal of the Youth Olympic Games in August in Nanjing, China, taking gold in the women’s 400m hurdles. The Oudtshoorn School of Skills was named Developing School Team of the Year. Van Dyk, Magermann and the school are all in Western Cape.“Exceptional milestones like this one mean that young people have local sporting role models to look up to,” said Mbombo.SAinfo reporter and SANewslast_img read more


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first_imgSmart beacons are currently limited to displaying personalized or relevant data on the smartphone, but that might not be the case for much longer. Estimote, a leader in beacon tech, has launched the Mirror, a beacon that connects to TV displays.A retailer can connect the Mirror to a TV through HDMI and USB, usually found on the side or back of the TV. Once connected, the beacon can pair with a nearby smartphone and send relevant data to large displays, which can show additional details.See Also: Xerox beacon technology brings retail to commutersEstimote gives a few examples, an airport screen could provide personalized data of your flight and the easiest route to the gate; a retailer could tell you if a shoe is available in your size.Connecting multiple displays—a smartphone and a TV—gives retailers more opportunity to entice customers. A retailer might check your recently searched Google results and show applicable products at the store window, with a reduced price.Estimote uses sticker technologyEstimote supplies a sticker that uses geolocation to recognize what user has picked up a product, and displays relevant info on the smartphone. If the customer is near a TV, the sticker will also send that info to the larger display, if retailers add the Mirror beacon.Beacons are still an emerging tech for the retail market, some stores are adopting the technology, while others are worried about consistency, programming, and privacy.Estimote’s solution, which now covers smartphones and TVs—and connects individual products to the beacons—might invite new interest from retailers that were on the fence. Why IoT Apps are Eating Device Interfaces Follow the Puck What it Takes to Build a Highly Secure FinTech … Related Posts center_img Tags:#beacon#Estimote#retail#smartphone#TV David Curry How Myia Health’s Partnership with Mercy Virtua…last_img read more


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first_imgThere are several video editing techniques every professional needs to know. Let’s take a look at two of them: the J-cut and L-cut.If you’re in the business of video editing (or would like to be), then two techniques you absolutely must know are the J-cut and the L-cut. Editors use these techniques to allow audiences to see the context of the dialogue rather than just the dialogue itself.Let’s look at the best ways to incorporate J-cuts and L-cuts into your next production. To do this, we’ll look at some of the very best uses of these techniques in film history.A History of J & L-CutsEven before the days of cinema, artists developed stories through a combination of images. This early form of storytelling and editing can be seen on the walls of the pyramids or in the triptych paintings of the Middle Ages. With the 20th century development of the film camera and the subsequent addition of sound to filmmaking, the editing techniques of the J-cut and L-cut appeared.Image: Scene from The Jazz Singer via Warner Bros. The image above is from 1927’s The Jazz Singer. Heralded as the first “talkie,” the film introduced audiences to fully synced sound and imagery. Another thing it introduced to audiences: the first use of the L-cut. While we see and hear actor Al Jolson talking to his bandmates, the camera cuts to audience members taking their seats. In the video below (via WarnerBrosOnline), we can see one of the very first L-cuts play out in real time. What makes a L-cut or J-cut work is the combination of dialogue and imagery. For an L-cut, the dialogue continues as the camera cuts to another image. For a J-cut, the dialogue plays while we see contextual images, but then cuts to the source of the dialogue.Why Use a J-Cut or L-Cut?Using a J-cut or an L-cut is all about keeping the flow of the edit moving without becoming boring. If a J-cut or L-cut is performed properly, then the audience will never notice it taking place. This same theory is really true for any editing technique.Image: an example of an L-cut Think about the films we watch and the dialogue sequences within them. During these sequences, the editor isn’t constantly cutting back and forth to each character as they talk. Doing this would be very distracting. Instead, an L-cut is used.This technique sees Character A speaking, but then the scene cuts to Character B as Character A continues their dialogue. By doing this, the editor is allowing viewers to hear the dialogue while also seeing the reaction of Character B, giving the audience a better overall understanding of the scene.Image: an example of a J-cut The J-cut is the opposite of the L-cut. With this technique, the viewer hears the dialogue of Character A — but only sees Character B on screen. From this shot of Character B (which provides emotional information and context for the scene), the editor cuts back to Character A. Where Else Can You Use a J-Cut or L-Cut?As discussed above, the best time to use either technique is during a scene with dialogue, but these techniques can also come in handy during any scene with connecting action to a specific sound.In the video above from Movieclips Coming Soon, we see how sound effects were used in conjunction with visuals to pull off a very compact but vital J-cut in Raiders of the Lost Ark. After Indy swaps the bag of sand for the idol, he begins to walk away. Sounds begin to grow off camera, causing Indy to look back. The camera then cuts to the shot of the idol room breaking and falling apart, giving us context for the sound.Again, the entire point of using these techniques is to progress the story forward in a compelling way. We’ll leave you with one of the most iconic J-cuts/L-cuts of all time. Director Stanley Kubrick uses both techniques to perfection in 2001: A Space Odyssey. HAL 9000 can only convey a voice with no emotional queues. Because of this, Kubrick utilizes the character of Dave to give us the emotion of the scene. This plays out (as seen in the clip below via Jim Nielson) as the film cuts back and forth between Dave deactivating HAL and the AI urging Dave to stop.What are your favorite uses of J-cuts and L-cuts? Please share them in the comments below!last_img read more



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first_imgBJP Rajasthan unit president Madan Lal Saini died at the All India Institute of Medical Sciences (AIIMS) in New Delhi on Monday after a brief illness. He was shifted from Jaipur to Delhi on Saturday for treatment of blood-related ailment in Haematology Department after being diagnosed with infection in lungs.Mr. Saini, also a Rajya Sabha MP, was 75. He was appointed the BJP State chief in June last year, after the party remained headless for about three months following the resignation of Ashok Parnami. Mr. Saini had emerged as a “consensus candidate” after differences emerged over the selection of certain other leaders.He was shifted to the intensive care unit in AIIMS when his condition deteriorated. He breathed his last on Monday evening, the party sources said here.A large number of BJP workers, led by former BJP State president Arun Chaturvedi, gathered at the party’s State headquarters here and paid tributes to the departed leader. Mr. Saini was active in politics for several decades after joining the Rashtriya Swayamsevak Sangh in 1952.He was elected an MLA from Gudha in Jhunjhunu district in 1990 and had later unsuccessfully fought the Lok Sabha election twice from Jhunjhunu in 1991 and 1998. He was elected a Rajya Sabha member from the State in March 2018.According to the party sources, Mr. Saini’s body will be brought here on Tuesday morning and taken for cremation in his native village, Patan, in Sikar district in the afternoon.Chief Minister Ashok Gehlot expressed grief over Mr. Saini’s death and said he was “shocked and saddened” to hear about his passing away. Prime Minister Narendra Modi said Mr. Saini’s death was a “major loss for the BJP family.”last_img read more


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first_imgTo apply, please download the ‘TFA National Indigenous Team Expression of Interest’ document and follow the instructions.Position descriptions for both Coaches and Managers are also available to download; please see below.Expression of interest for these positions closes on COB Friday 16th October 2009 and should be forwarded to Adam Raptis at [email protected] or fax (02) 6212 2822.Related Filestfa_national_indigenous_team_eoi-pdfindigenous_coach_position_description-pdfindigenous_managers_duty_statement-pdflast_img


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